{"id":7603,"date":"2013-11-05T14:15:26","date_gmt":"2013-11-05T13:15:26","guid":{"rendered":"http:\/\/cultura.arq.upv.es\/cultura\/?p=7603"},"modified":"2018-02-06T13:09:07","modified_gmt":"2018-02-06T12:09:07","slug":"mariano-maestro-estructura-y-composiciones","status":"publish","type":"post","link":"https:\/\/cultura.arq.upv.es\/cultura\/mariano-maestro-estructura-y-composiciones\/","title":{"rendered":"Mariano Maestro: Estructura y composiciones"},"content":{"rendered":"
<\/div>\n
\n
\n
\n
\n

\u00abCualquier texto desarrollado en torno al hecho art\u00edstico solamente consigue rondar a duras penas \u2013 como una especie de\u00a0 <fantasma> o como mero convidado de piedra- el rededor del fen\u00f3meno est\u00e9tico. Y, mir\u00e1ndolo casi de reojo, a lo sumo logra discretamente evolucionar en paralelo a \u00e9l, siguiendo el devenir de su propio discurso, para as\u00ed intentar historiarlo, compararlo o simplemente comentarlo.<\/span><\/em><\/p>\n

 <\/p>\n

A pesar de ello \u2013y de saberlo- seguimos pertinaces- abocados en el empe\u00f1o, una y otra vez, acechando su secreto.<\/span><\/span><\/em><\/p>\n

 <\/p>\n

Puede parecer, a tal respecto, cuando nos enfrentamos a planteamientos constructivos de mayor codificaci\u00f3n formal \u2013y este es el caso del quehacer art\u00edstico de Mariano Maestro-, que al sujetarse a una m\u00e1s rigurosa metodolog\u00eda compositiva (e incluso, con mucha frecuencia, seriada) se facilite as\u00ed, de alg\u00fan modo, el seguimiento del complejo proceso de su elaboraci\u00f3n.\u00bb<\/span><\/span><\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/span><\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/span>\u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/span>\u00a0Rom\u00e1n de la Calle<\/strong><\/p>\n

 <\/p>\n

 <\/p>\n

\n

\u00abLa preocupaci\u00f3n compositiva y el conocimiento de los materiales empleados constituyen la base sobre la cual Mariano Maestro ha sabido sustentar su obra pl\u00e1stica racional, constructivista, asimiladora de elementos formales procedentes de variadas corrientes contempor\u00e1neas, obra personal, a la que llega tras un proceso coherente de an\u00e1lisis y experiencias.\u00bb<\/span><\/span><\/span><\/span><\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/span><\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/span>\u00a0\u00a0<\/span>Rafael Prats Rivelles<\/strong><\/p>\n

 <\/p>\n

 <\/p>\n

\n

\u00abLa idea de geometr\u00eda en la composici\u00f3n, la insistencia crom\u00e1tica, las ausencias y presencias, los vac\u00edos y eternidades, la s\u00edntesis de estructuras, son los elementos que caracterizan las \u00faltimas realizaciones [\u2026] una obra con luz y color donde los espacios est\u00e1n muy estudiandos y delimitados, llegando en alg\u00fan momento a ser incluso cin\u00e9tico.\u00bb<\/span><\/span><\/span><\/span><\/span><\/em>\u00a0<\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/span><\/p>\n

\u00a0 \u00a0 \u00a0<\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/span>Jos\u00e9 Garner\u00eda<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

\u00abCualquier […]<\/p>\n","protected":false},"author":2,"featured_media":7604,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[75,28,54,79],"tags":[],"class_list":["post-7603","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-destacar","category-etsa","category-exposicion","category-exposiciones"],"_links":{"self":[{"href":"https:\/\/cultura.arq.upv.es\/cultura\/wp-json\/wp\/v2\/posts\/7603","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cultura.arq.upv.es\/cultura\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cultura.arq.upv.es\/cultura\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cultura.arq.upv.es\/cultura\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/cultura.arq.upv.es\/cultura\/wp-json\/wp\/v2\/comments?post=7603"}],"version-history":[{"count":12,"href":"https:\/\/cultura.arq.upv.es\/cultura\/wp-json\/wp\/v2\/posts\/7603\/revisions"}],"predecessor-version":[{"id":10215,"href":"https:\/\/cultura.arq.upv.es\/cultura\/wp-json\/wp\/v2\/posts\/7603\/revisions\/10215"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cultura.arq.upv.es\/cultura\/wp-json\/wp\/v2\/media\/7604"}],"wp:attachment":[{"href":"https:\/\/cultura.arq.upv.es\/cultura\/wp-json\/wp\/v2\/media?parent=7603"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cultura.arq.upv.es\/cultura\/wp-json\/wp\/v2\/categories?post=7603"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cultura.arq.upv.es\/cultura\/wp-json\/wp\/v2\/tags?post=7603"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}